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2011年8月26日 星期五

Do you read me ?!

This is so far the most enjoyable artist book shop that I went so far in Berlin.




I sat down for a time of flicking through a magazine, not far away there is a little garden behinds me.
The atmosphere there is normal, I didn't remember the music part because the magazine that I was holding IS ABSOLUTELY FASCINATING!



Richardson is a magazine that I was reading today, I keep taking notes because it was exactly the kind of magazine that I didn't expect but an collective entity for erotic photography works.



I'm not sure why should I read about when do they start it, but I will have to say, this is the most interesting magazine so far for me.



Haven't been shopping for books and zines, well I did some but never like my passion which happened when I was little.

I will never expect it(my childhood fascination of things) would come back again, also not sure if I am the one who lost the abilities to see the beauty side of things, or being excited about things... or it is basically human being stopped producing good things since ages ago.


Do you read me

Auguststraße 28
10117 Berlin
030 69549695           Blog ---  Website 

2011年5月12日 星期四

Yves Klein

Anthropometry



Yves Klein's Untitled Anthropometry (1960), from the Hirshhorn’s collection.







© 2010 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo by Shunk-Kender
© Roy Lichtenstein Foundation, courtesy Yves Klein Archives




2011年5月10日 星期二

Lee Price - Oil paint !!??

When representation being completed by the invention of photography (or we should say photography itself is a perfect lie production factory?)
Paint has moving towards another way from imitation, purely representation to expressive, somehow depict  the mysterious psychedelic world, object to subject, she/him/them or myself/alter ego.

Here is my new favourite 

Lee Price who completes her degree at Philadelphia, Moore college of Art 






Human nakedness, Creepy, Bizarre are just my best type of tea. 

Microstoria

So this is what we have been doing for the whole semester

2011年4月26日 星期二

TARGETED!! Mysterious woman from The Factory

I kept seeing her face appear in this book : All tomorrow's party 

What's her relationship with Andy Warhol
she is mysterious, her eyes are artificial, unsettling, uncomfortable but very inspiring at some point.
I know, I know there are something going on with this girl.


She is not one of those everyone likes Edie Sedgwick's beauty.  
Who is she exactly? unsolvable mysterious woman. 







All pictures © All tomorrow's party

2011年4月23日 星期六

Illustrator - Carson Ellis

From Oregon, Portland! Wife of Colin Meloy (lead singer of the Decemberist)

I found it is alway interesting to investigate her works very very carefully.
Like when you examine an miniature, one details, one colour, one curve among the straight lines cease your attention.


Bertha

Hocky Fight
Castaways And Cutouts 


The Crane Wife

Carson Ellis 
Blog - http://www.carsonellis.com/blog/

2011年4月19日 星期二

A frighten song

Sort of disapproving Andy Warhol because of Sedgwick somehow people around Warhol seems to powerful to be igonored

The Velvet Underground - The Gift








Waldo Jeffers had reached his limit. It was now Mid-August which meant he had 
been separated from Marsha for more than two months. Two months, and all he had 
to show was three dog-eared letters and two very expensive long-distance phone 
calls. True, when school had ended and she'd returned to Wisconsin, and he to
Locust, Pennsylvania, she had sworn to maintain a certain fidelity. She would 
date occasionally, but merely as amusement. She would remain faithful. 

But lately Waldo had begun to worry. He had trouble sleeping at night and when 
he did, he had horrible dreams. He lay awake at night, tossing and turning 
underneath his pleated quilt protector, tears welling in his eyes as he 
pictured Marsha, her sworn vows overcome by liquor and the smooth soothing of 
some neanderthal, finally submitting to the final caresses of sexual oblivion. 
It was more than the human mind could bear. 

Visions of Marsha's faithlessness haunted him. Daytime fantasies of sexual 
abandon permeated his thoughts. And the thing was, they wouldn't understand how 
she really was. He, Waldo, alone understood this. He had intuitively grasped 
every nook and cranny of her psyche. He had made her smile. She needed him, and 
he wasn't there (Awww...). 

The idea came to him on the Thursday before the Mummers' Parade was scheduled 
to appear. He'd just finished mowing and edging the Edelsons lawn for a dollar 
fifty and had checked the mailbox to see if there was at least a word from 
Marsha. There was nothing but a circular from the Amalgamated Aluminum Company 
of America inquiring into his awing needs. At least they cared enough to write.

It was a New York company. You could go anywhere in the mails. Then it struck 
him. He didn't have enough money to go to Wisconsin in the accepted fashion,
true, but why not mail himself? It was absurdly simple. He would ship himself 
parcel post, special delivery. The next day Waldo went to the supermarket to 
purchase the necessary equipment. He bought masking tape, a staple gun and a 
medium sized cardboard box just right for a person of his build. He judged that 
with a minimum of jostling he could ride quite comfortably. A few airholes, 
some water, perhaps some midnight snacks, and it would probably be as good as 
going tourist.

By Friday afternoon, Waldo was set. He was thoroughly packed and the post 
office had agreed to pick him up at three o'clock. He'd marked the package 
"Fragile", and as he sat curled up inside, resting on the foam rubber 
cushioning he'd thoughtfully included, he tried to picture the look of awe and 
happiness on Marshas face as she opened her door, saw the package, tipped the 
deliverer, and then opened it to see her Waldo finally there in person. She 
would kiss him, and then maybe they could see a movie. If he'd only thought of 
this before. Suddenly rough hands gripped his package and he felt himself borne 
up. He landed with a thud in a truck and was off. 

Marsha Bronson had just finished setting her hair. It had been a very rough 
weekend. She had to remember not to drink like that. Bill had been nice about
it though. After it was over he'd said he still respected her and, after all, 
it was certainly the way of nature, and even though, no he didn't love her, he 
did feel an affection for her. And after all, they were grown adults. Oh, what 
Bill could teach Waldo - but that seemed many years ago. 

Sheila Klein, her very, very best friend, walked in through the porch screen 
door and into the kitchen. "Oh gawd, it's absolutely maudlin outside." "Ach, I 
know what you mean, I feel all icky!" Marsha tightened the belt on her cotton 
robe with the silk outer edge. Sheila ran her finger over some salt grains on 
the kitchen table, licked her finger and made a face. "I'm supposed to be 
taking these salt pills, but," she wrinkled her nose, "they make me feel like 
throwing up." Marsha started to pat herself under the chin, an exercise she'd 
seen on television. "God, don't even talk about that." She got up from the 
table and went to the sink where she picked up a bottle of pink and blue 
vitamins. "Want one? Supposed to be better than steak," and then attempted to 
touch her knees. "I don't think I'll ever touch a daiquiri again." 

She gave up and sat down, this time nearer the small table that supported the
telephone. "Maybe Bill'll call," she said to Sheila's glance. Sheila nibbled on 
a cuticle. "After last night, I thought maybe you'd be through with him." "I 
know what you mean. My God, he was like an octopus. Hands all over the place." 
She gestured, raising her arms upwards in defense. "The thing is, after a 
while, you get tired of fighting with him, you know, and after all I didn't 
really do anything Friday and Saturday so I kind of owed it to him. You know 
what I mean." She started to scratch. Sheila was giggling with her hand over 
her mouth. "I'll tell you, I felt the same way, and even after a while," here 
she bent forward in a whisper, "I wanted to!" Now she was laughing very loudly. 

It was at this point that Mr. Jameson of the Clarence Darrow Post Office rang 
the doorbell of the large stucco colored frame house. When Marsha Bronson 
opened the door, he helped her carry the package in. He had his yellow and his 
green slips of paper signed and left with a fifteen cent tip that Marsha had 
gotten out of her mother's small beige pocketbook in the den. "What do you 
think it is?" Sheila asked. Marsha stood with her arms folded behind her back. 
She stared at the brown cardboard carton that sat in the middle of the living 
room. "I dunno."

Inside the package, Waldo quivered with excitement as he listened to the 
muffled voices. Sheila ran her fingernail over the masking tape that ran down 
the center of the carton. "Why don't you look at the return address and see who 
it's from?" Waldo felt his heart beating. He could feel the 
vibrating footsteps. It would be soon.

Marsha walked around the carton and read the ink-scratched label. "Ah, god, 
it's from Waldo!" "That schmuck!" said Sheila. Waldo trembled with expectation. 
"Well, you might as well open it," said Sheila. Both of them tried to lift the 
staple flap. "Ah sst," said Marsha, groaning, "he must have nailed it shut." 
They tugged on the flap again. "My God, you need a power drill to get this 
thing open!" They pulled again. "You can't get a grip." They both stood still, 
breathing heavily. 

"Why don't you get a scissor," said Sheila. Marsha ran into the kitchen, but 
all she could find was a little sewing scissor. Then she remembered that her 
father kept a collection of tools in the basement. She ran downstairs, and when 
she came back up, she had a large sheet metal cutter 
in her hand. "This is the best I could find." She was very out of breath. 
"Here, you do it. I-I'm gonna die." She sank into a large fluffy couch and 
exhaled noisily. Sheila tried to make a slit between the masking tape and the 
end of the cardboard flap, but the blade was too big and there wasn't enough 
room. "God damn this thing!" she said feeling very exasperated. Then smiling,
"I got an idea." "What?" said Marsha. "Just watch," said Sheila, touching her 
finger to her head.

Inside the package, Waldo was so transfixed with excitement that he could 
barely breathe. His skin felt prickly from the heat, and he could feel his 
heart beating in his throat. It would be soon. Sheila stood quite upright and 
walked around to the other side of the package. Then she sank down to her 
knees, grasped the cutter by both handles, took a deep breath, and plunged the 
long blade through the middle of the package, through the masking tape, through 
the cardboard, through the cushioning and (thud) right through the center of 
Waldo Jeffers head, which split slightly and caused little rhythmic arcs of red 
to pulsate gently in the morning sun.

2011年3月30日 星期三

Little Person at Art

瀏覽了一會兒同學們的網誌
發現大家都在art writing 的領域小有耕耘
想想自己可能無法跟他們大學時期累積的理論實務相比
所以就以個門外漢的角度來開始著手創作我的art writing
目標就是字數不過多
少用生難字與以-ism跟-logy 結尾的字眼
風格就以荒誕派融合印象派取勝 畢竟我的腦子只能留下荒唐事
我的writing也就全部荒唐言
還好這個blog不多不少也大概就兩三人閒暇時點閱(Hi mumu! Hi Boco! Hi 林老文)
在我親弟都不知道的情況下經營著


想想之後先該作的事情就是簡略定義一下critic這個辭彙
接下來所有的art writing都努力以英文模式經營 (講英國同學壞話除外)
生難字會努力不忘記的附上中文解釋


希望十年之後我的blog能夠如同徐志摩看見的燦爛旭日或是遲暉
造成其忍不住想跪下並且連動筆也無法只好推說講了別人也不懂的反應
好大的口氣